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Richard Gere’s vintage guitar and amplifier collection brought in $936,438 at Christie’s in New York today.
The top lot was a 1960 Gibson Les Paul that fetched $98,500, surpassing its presale high estimate of $90,000. The winning bid came by telephone. The room was full of quiet guitar aficionados, including musician Steve Miller and redhead model, singer and songwriter Karen Elson.
“You are being too quiet,” said auctioneer Andrew McVinish. “If you want to rock ‘n’ roll -- rock ‘n’ roll.”
The 107-lot group, amassed by the “Pretty Woman” male star since he was a kid, was expected to realize about $1 million. Only 4 percent of the lots failed to find buyers.
“Without ever thinking I was putting a collection together, there seems to be one,” Gere said in his catalog statement. “I just bought what I liked, what sounded good -- what played well.”
An active philanthropist for Tibet and HIV-AIDS education, Gere has said the proceeds will go to causes he supports.
Other notable guitars in the sale included a 1931 Martin D- 28 that fetched $62,500, in the middle of its presale range of $50,000 to $70,000.
A 1934 archtop made by John D’Angelico and later owned and played by James D’Aquisto, two of the premier New York luthiers, sold for $20,000, above its top estimate of $15,000.
A 1958 Gibson Flying V sold for $74,500, also within its estimate range of $60,000 to $90,000.
After placing the winning $9,500 bid ($11,875 with the buyer’s premium) on a Gibson ES-335TD with Sunburst finish, Scott Forman hollered: “Yes!”
B.B. King
“It’s gorgeous and the sound is amazing,” said the New York ophthalmologist. “B.B. King plays a guitar he calls ‘Lucille.’ It’s the same model.”
What attracted him to the sale was the quality of guitars not the provenance.
“It’s not about Richard Gere. It’s about the instrument,” Forman said. The sale prices include the buyer’s commission; the estimates don’t.
Miller, who sat in the back of the room wearing sunglasses, kept his paddle idle. His appearance at Christie’s was being filmed for a documentary titled “Burst: In Search of a Perfect Guitar,” about his quest to find a pristine 1959 Les Paul Standard Sunburst.
“I wasn’t tempted by anything,” he said. “I have 450 guitars.”
Gere, who won a Golden Globe for his performance in the movie version of “Chicago,” studied trumpet as a child and is a self-taught guitarist and pianist.
A March auction of Eric Clapton’s guitars, amplifiers and other memorabilia at Bonhams in New York raised $2.2 million for the musician’s Crossroads Centre Antigua, for drug and alcohol rehabilitation, almost four times its presale total of $400,000 to $600,000. The priciest item was a 1948 Gibson L-5P guitar that fetched $82,960.
To contact the reporter of this story: Katya Kazakina in New York at kkazakina@bloomberg.net.
To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.








Painters are no saints, except perhaps one: In 1984, Pope John Paul II beatified Fra Angelico, the first step in the process toward sainthood.
The pope also appointed him the Roman Catholic Church’s official patron of the arts.
Exhibitions of Fra Angelico’s work are rare events. His masterpieces -- especially the frescoes in the dormitory cells at the convent of San Marco, one of Florence’s most popular tourist attractions -- don’t budge. His large altarpieces are too delicate to travel.
That explains why the show at the Musee Jacquemart-Andre in Paris is the first organized in France.
To bring together 25 of Fra Angelico’s works, mostly from Italian collections, is no mean feat: Many curators strongly object to lending paintings on wood.
They are embedded in an equal number of paintings by contemporaries such as Lorenzo Monaco, Fra Angelico’s teacher, Filippo Lippi and Benozzo Gozzoli.
It’s a small yet delightful show.
Fra Angelico (ca 1395-1455) was born near Florence as Guido di Pietro. Around 1420, he joined the Dominican order adopting the name Fra (Brother) Giovanni.
The name by which we know him was inspired by Giorgio Vasari’s 1568 “Lives of the Painters,” which praised his luminous colors as worthy “of a saint or an angel.”
Much of his fame rests on the elaborate golden haloes around the heads of divine or holy figures.
Vasari portrayed Fra Angelico as a naive artist of endearing simplicity who worked directly from divine inspiration, even refusing to retouch his pictures because he believed them to be “the will of God.”
That image was further sentimentalized by the Nazarenes and the Pre-Raphaelites in the 19th century, who claimed to pick up where Fra Angelico and other “Primitives” had left off. Research has shown that to be mostly wishful thinking.
The painting monk may have been humble, yet he also was a professional artist of great subtlety and sophistication.
Looking at his Virgins, Crucifixions and Last Judgments, you realize that neither the style nor the choice of subjects was revolutionary. The Dominicans were known for conservative views. It’s no accident that the popes, after having launched the Inquisition, entrusted them with administering it.
While Fra Angelico was busy decorating his monastery in Fiesole, his fellow Dominican Pierre Cauchon oversaw the trial of Joan of Arc that ended with her death at the stake.
In the 1440s, the painter was twice called to Rome to decorate two chapels at the Vatican. Here, far from the strict rules of his order, he opened up and took new artistic risks, even toying with the great novelty of his age -- perspective.
One of the inventors of that novelty was Paolo Uccello (1397-1475). His “St. George Slaying the Dragon,” from the museum’s own holdings, is the most original -- and the most amusing -- picture in the show.
“Fra Angelico et les Maitres de la Lumiere” is supported by GDF-Suez (GSZ) SA and runs through Jan. 16, 2012. Information: http://www.musee-jacquemart-andre.com or +33-1-4562-1159.
(Jorg von Uthmann is a critic for Muse, the arts and leisure section of Bloomberg News. The opinions expressed are his own.)
To contact the writer on the story: Jorg von Uthmann in Paris at uthmann@wanadoo.fr.
To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.



The world’s oldest running automobile sold for $4.6 million in Pennsylvania last night. The price with fees was more than double the catalog estimate and is a world record for an early motor car at auction.
The steam-driven 1884 De Dion, capable of 37 miles per hour on a straight, was the most highly valued of 115 cars being offered by RM Auctions at Hershey on Oct. 6-7. The vehicle drew a standing ovation from the audience as it drove onto the auction stage.
The bidding started at $500,000 and immediately jumped to $1 million, before climbing to the record. RM didn’t identify the buyer. The four-seater was being sold by the estate of the Texas-based collector John O’Quinn, who died in 2009.
It was originally built for the French entrepreneur the Comte de Dion by the engineers Georges Bouton and Charles-Armand Trepardoux. Named “La Marquise” after the count’s mother, the quadricycle had only been through four owners.
It was restored in the late 1980s by the U.K. veteran car enthusiast Tim Moore who raced it four times in the annual London-to-Brighton run. Moore sold the vehicle in 2007.
(Scott Reyburn writes about the art market for Muse, the arts and culture section of Bloomberg News. Opinions expressed are his own.)
To contact the writer on the story: Scott Reyburn at sreyburn@hotmail.com.
To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.
Michelle Williams in "My Week with Marilyn." The film about the making of the romantic movie starring Monroe and Laurence Olivier, "The Prince and the Showgirl," will be screened at the New York Film Festival. Source: New York Film Festival via Bloomberg
"17 h's" by David Smith, in "David Smith: Cubes and Anarchy" at the Whitney. Photographer: David Heald/Whitney Museum of American Art via Bloomberg
"Tanktotem IX" by David Smith, part of "David Smith: Cubes and Anarchy" at the Whitney Museum of American Art through Jan. 8, 2012. Photographer: David Heald/Whitney Museum of American Art via Bloomberg
"Pierrot and Harlequin" by Pablo Picasso is part of "Picasso's Drawings, 1890-1921: Reinventing Tradition" at the Frick. Source: Frick Collection via Bloomberg
Valery Gergiev and his Mariinsky Orchestra will be at Carnegie Hall on Sunday. Photographer: Alexander Shapunov/Carnegie Hall via Bloomberg
"Head of a Woman" by Pablo Picasso in the exhibition "Picasso's Drawings, 1890-1921: Reinventing Tradition," on view at the Frick Collection through Jan. 8, 2012. Photographer: Peter Schibli/Frick Collection via Bloomberg
The Mariinsky Orchestra from Russia will be playing at Carnegie Hall on Sunday. Photographer: Richard Termine/Carnegie Hall via BloombergJens Lekman brings his charmingly idiosyncratic brand of post-modern pop to Music Hall of Williamsburg on Friday.
His lush crooner’s voice soars over deftly arranged melodies that harken back to 70s-era love songs.
What saves Lekman from overwhelming sop is the droll specificity of his lyrics. Every song is a story -- some are tragic, all are sweet.
66 North 6th St., Brooklyn. Information: +1-718-486-5400; http://www.musichallofwilliamsburg.com.
Take this last chance to see Nick Cave’s arresting Soundsuit sculptures at Jack Shainman Gallery.
These are strange creatures constructed of buttons, wire, bugle beads, baskets and upholstery, some sporting jaunty bunny ears, others with tuba heads.
Here the palette is mostly black, white and gray. In one group, seven figures wear an interconnected poncho, covered with shimmering buttons. An upbeat video shows them hopping, twirling and dancing.
At Mary Boone, Cave’s Soundsuits erupt into color with the addition of such found objects as sock monkeys, pipe cleaners, recycled sweaters, dogwood twigs and lots of glitter.
“Ever-After” runs through Oct. 8 at 513 W. 20th St. Information: +1-212-645-1701; http://www.jackshainman.com.
“For Now” runs through Oct. 22 at 541 W. 24th St. Information: +1-212-752-2929; http://www.maryboonegallery.com.
Check out David Smith’s stainless steel totems at the Whitney Museum of American Art. Bringing together 60 sculptures, drawings, paintings and photographs, the exhibition focuses on geometry in the artist’s work.
Smith, who died at 59 in 1965, used found and industrial materials to stack up cubes, plates, rods and spheres into playful abstractions.
“David Smith: Cubes and Anarchy” runs until Jan. 8 at the Whitney, 945 Madison Ave. at 75th St. Information: +1-212-570- 3600; http://whitney.org.
To get a real taste of class warfare, go to “Threepenny Opera” by Kurt Weill and Bertolt Brecht, first produced in 1928 Berlin.
Goes one of the lines: “Who is the greater criminal: he who robs a bank or he who founds one?”
Robert Wilson’s production with the Berliner Ensemble evokes German expressionist art and sleazy Weimar night clubs.
Stefan Kurt as Macheath gets to sing the famous murder ballad “Mack the Knife,” while Stefanie Stappenbeck does “Pirate Jenny,” in which a lowly maid yearns for the massacre of all the townspeople.
Brooklyn Academy of Music, Howard Gilman Opera House, 30 Lafayette Ave., Brooklyn. Information: +1718-636-4100; http://www.bam.org.
Then cross the street to Berlyn for some hearty fare, beginning with a refreshing Schwartzwald Spritz, a mix of gin, pine liquor and sekt. It’s autumn, so why not dive into the choucroute with pork loin and bratwurst?
25 Lafayette Ave., Brooklyn. Information: +1-718-222-5800.
See Picasso’s 1901 self-portrait, power practically streaming off his intense face and shoulders. It’s in a show of 60 drawings from his first three decades, now at the Frick Collection.
There’s the amusing “Hercules,” drawn by the artist in 1890 when he was nine years old and preserved by his proud parents.
You can see his quick mind exploring everything from the 1907 “Yellow Nude,” a study for “Les Demoiselles d’Avignon” and an early cubist “Bust of a Woman” (1909) to a consideration of African arts in “Standing Woman from the Back.”
At 1 E. 70th St. until Jan. 8. Information: +1-212-288- 0700; http://www.frick.org.
Valery Gergiev and his Mariinsky Orchestra are throwing a mini-festival at Carnegie Hall, part of a monthlong celebration of Russian composers and the venue’s 120 years of musical splendor.
Today there are two works by Tchaikovsky, the powerful Symphony No. 5 and the playful No. 2 or “Little Russian.”
57th St. and Seventh Ave. Information: +1-212-247-7800; http://www.carnegiehall.org.
To continue the Russian spirit, head over to Petrossian and feast on caviar with shots of icy vodka.
At 182 W. 58th St. Information: +1-212-245-2214.
During the filming of “The Prince and the Showgirl,” Marilyn Monroe royally annoyed director and co-star Laurence Olivier.
See the fireworks in “My Week With Marilyn,” as Michelle Williams portrays the Hollywood diva and Kenneth Branagh takes on the uptight, classically trained actor.
The rest of the cast is not too shabby either: Judi Dench, Derek Jacobi, Zoe Wanamaker, Dominic Cooper and Eddie Redmayne.
At Alice Tully Hall, Lincoln Center. Part of the New York Film Festival, crammed with movie-goodies, running until Oct. 16. Information: +1-212-875-5050; http://www.filmlinc.com.
(With assistance from Lili Rosboch and Katya Kazakina. Zinta Lundborg is an editor for Muse, the arts and leisure section of Bloomberg News. The opinions expressed are her own.)
To contact the reporter on this story: Zinta Lundborg at zlundborg@bloomberg.net.
To contact the editor responsible for this story: Manuela Hoelterhoff at mhoelterhoff@bloomberg.net.
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